Others say that the best light is right before the sun appears and right after it sets, which is why serious landscape photographers are early risers who have their equipment set up before dawn. Some photographers say that cold blue shadows creep into the landscape near sunrise, which may be desirable if you want the shadows to create a sense of depth, provide an interesting contrast with warm tones, or help present a graphic look. The longer story, as is often the case in this world of light and color, is more complex. The resulting underexposed and overexposed areas of the photograph are less likely to occur during the less extreme and more soothing light of the Golden Hour. Violet and blue wavelengths tend to scatter, while the warmer tones endure to reach the surface of the earth where they enrich the colors of the world.īy contrast, in the middle of the day, a time that’s usually more convenient to venture out for photography, the direct light of the overhead sun can be overly harsh, creating deep shadows and bright highlights that fall outside the dynamic range of the camera. This effect is due to the fact the sun is low in the sky, resulting in light rays having to pass a longer distance through the atmosphere. At this time of the day, sunlight infuses the world with a soft, warm, diffuse, and ethereal golden glow. If you want to seize the opportunity of the Golden Hour, the answer would be YES.Īlso known as the Magic Hour, the Golden Hour in photography refers to the first and last hour of sunlight – i.e., the period after sunrise and before sunset. Do you veer off from what you would typically do in these situations, like stay in bed or go home for dinner, and instead pick up your camera and head outdoors? It’s dark outside and everyone is asleep.
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